ratt tour 1989

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Ratt / tokyo dome 1989 / 1cdr.

in 1980s , RATT , Shades 2021/02/25 672 Views

Ratt / Tokyo Dome 1989 / 1CDR / Shades

Heat Beat Live 89 In Big EGG Blast Off Tokyo.

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RATT in 1989, who took the big stage of “Big Egg” on his third visit to Japan. Introducing an original recording that allows you to experience the show that concludes the gorgeous 80’s on-site. It is “January 1, 1989: Tokyo Dome performance” that is imbued with such a work. This is an audience recording recorded at “HEAT BEAT LIVE ’89 IN BIG EGG” that appeared with BON JOVI. If you come to “New Year’s Day 1989” or “Tokyo Dome”, some of you may have already come. Yes, it is a live album that is a sister edition of KINGDOM COME’s masterpiece “TOKYO DOME 1989 (Shades 1279)” which was released the other day and gained popularity. If you have experienced KINGDOM COME, you may have already decided, but not all RATT fans like KINGDOM COME. Here, let’s look back on those days from the perspective of RATT.

● 1988 ・ December 31: Tokyo Dome ● 1989 ・ January 1: Tokyo Dome ← ★ This work ★ ・ January 6: Nagoya Rainbow Hall ・ January 8: Osaka Castle Hall ・ January 9: Fukuoka Sun Palace ・ January 11: Yokohama Cultural Gymnasium ・ January 12: Nippon Budokan

This is the 1989 Japan tour. I appeared at a big event at Tokyo Dome during the year-end and New Year holidays, but after that I toured alone. Toured famous venues in various places, and even though there was a Tokyo Dome, he won the Nippon Budokan. The schedule tells how popular it was at that time. By the way, this work recorded at the show on New Year’s Day 1989 is a powerful audience recording with a vivid direct feeling that is similar to the KINGDOM COME version. In the masterpiece collection that has been unearthed recently, not only the sister works of KINGDOM COME but also many masterpieces are very popular. In the recent HR series, HEART’s press masterpiece “TOKYO 1988 2ND NIGHT (Zodiac 410)” and BON JOVI’s “BUDOKAN 1987 FINAL NIGHT (Shades 1268)” are highly acclaimed even in large venues. I collected it. The KINGDOM COME version proved such a great skill, but this work has the same day and venue, so the sound is very similar. It doesn’t seem like a dome recording that the powerful core approaches in front of you while breathing in a realistic atmosphere. Speaking of 1989, the Tokyo Dome was not yet completed, and neither the sound output know-how on the PA side nor the recording technology on the audience side had been established. In spite of such times, even in modern times, it is easy to achieve a difficult sense of closeness. The direct sound is a full show that concentrates the golden 80’s numbers. Although it is just one act of performing at a festival, the time of about 68 minutes is plenty to listen to. And it’s not just Greatest Hits. To explain what that means, let’s organize the set here.

● Classics (7 songs) ・ Out of the Cellar: Wanted Man / Back for More / Round and Round ・ Invasion of Your Privacy: Lay It Down / You’re in Love ・ Dancing Undercover: Slip of the Lip / Body Talk ● Reach for the Sky (7 songs) ・ City To City ／ Don’t Bite The Hand That Feeds (★) ／ I Want A Woman ／ Bottom Line (★) ／ What’s It Gonna Be (★) ／ Way Cool Jr. ／ Chain Reaction * Note: “★” marks are rare songs only for this tour.

… And it looks like this. The latest work “REACH FOR THE SKY” number at that time occupies half of the show while the majestic representative songs are lined up in a row. Although there are some songs that are occasionally revived, including the standardized “Way Cool Jr.”, most of them are rare songs. In particular, the three songs “Don’t Bite The Hand That Feeds,” “Bottom Line,” and “What’s It Gonna Be” are only performed on this tour, and you can experience such precious songs at a rare site called Tokyo Dome. is. Direct sound that does not seem to be Tokyo Dome, and a spectacle of a large audience that can only be found at Tokyo Dome. It is a valuable original recording that allows you to experience RATT in its heyday on both sides. This one is a wonderful document album, but if you listen to it side by side with KINGDOM COME’s “Shades 1279”, you can enjoy the rare and rare feeling of the times in the field even more vividly. By all means, this is a sister work of beauty that we would like you to enjoy together.

★ Masterpiece audience recording of “January 1, 1989: Tokyo Dome performance”. It is a brand that has been digitized directly from the Omoto cassette, and its sound is so direct and powerful that you can’t think of it as a Tokyo Dome, and its thick core approaches you in front of you. In addition to the famous songs that summarize the 80’s, you can also enjoy the rare “REACH FOR THE SKY” number only for this tour.

三度目の来日で“ビッグエッグ”の大舞台を踏んだ1989年のRATT。絢爛の80年代を締めくくるショウを現場体験できるオリジナル録音が登場です。 そんな本作に吹き込まれているのは「1989年１月１日：東京ドーム公演」。BON JOVIと共に出演した“HEAT BEAT LIVE ’89 IN BIG EGG”で記録されたオーディエンス録音です。「1989年元旦」「東京ドーム」と来たらもうピンと来られた方もいらっしゃるでしょう。そう、先日リリースされて好評を博したKINGDOM COMEの傑作『TOKYO DOME 1989（Shades 1279）』の姉妹編となるライヴアルバムなのです。 KINGDOM COME篇をご体験の方ならすでに心を決められていると思いますが、RATTファンの全員がKINGDOM COMEまで好むとは限らない。ここではRATT視点で当時を振り返ってみましょう。

●1988年 ・12月31日：東京ドーム ●1989年 ・１月１日：東京ドーム　←★本作★ ・１月６日：名古屋レインボーホール ・１月８日：大阪城ホール ・１月９日：福岡サンパレス ・１月11日：横浜文化体育館 ・１月12日：日本武道館

これが1989年のジャパンツアー。年末年始に東京ドームのビッグ・イベントへ出演したわけですが、その後は単独でツアー。各地の名会場を巡り、さらに東京ドームがあったにも関わらず日本武道館まで制覇。いかに当時の人気が絶大だったかを日程が物語っています。 さて、そんな1989年元旦のショウで記録された本作は、KINGDOM COME篇にも通じる鮮烈なダイレクト感がパワフルなオーディエンス録音。最近になって発掘が続いている名手コレクションで、KINGDOM COMEの姉妹作だけでなく数々の名作が大人気。最近のHR系ですとHEARTのプレス名盤『TOKYO 1988 2ND NIGHT（Zodiac 410）』やBON JOVIの『BUDOKAN 1987 FINAL NIGHT（Shades 1268）』等々、大会場であっても距離のないサウンドが絶賛を集めました。KINGDOM COME篇は、そんなスゴ腕を証明していたわけですが、本作は同日・同会場だけあってサウンドが酷似……と言いますか、同一。リアルな空気感も吸い込みつつ、力強い芯が目の前にグイグイと迫る様はとてもドーム録音とは思えない。1989年と言えば、東京ドームも完成間もなく、ＰＡ側の出音ノウハウもオーディエンス側の録音技術も確立していなかった。そんな時代にも関わらず、現代でさえ難しい間近感を易々と成し遂げているのです。 そんなダイレクト・サウンドで描かれるのは、黄金の80年代ナンバーを濃縮したフルショウ。あくまでフェス出演の１アクトではあるものの、約68分に及ぶ持ち時間は聴き応えもたっぷり。しかも、単なるグレイテスト・ヒッツでもないのです。その意味をご説明するためにも、ここでセットを整理しておきましょう。

●クラシックス（７曲） ・情欲の炎：Wanted Man／Back for More／Round and Round ・インヴェイジョン・オブ・ユア・プライヴァシー：Lay It Down／You’re in Love ・ダンシング・アンダーカヴァー：Slip of the Lip／Body Talk ●リーチ・フォー・ザ・スカイ（７曲） ・City To City／Don’t Bite The Hand That Feeds（★）／I Want A Woman／Bottom Line（★）／What’s It Gonna Be（★）／Way Cool Jr.／Chain Reaction ※注：「★」印は、このツアーだけのレア曲。

……と、このようになっています。堂々たる代表曲がズラリと並びつつ、ショウの半分を占めるのが当時の最新作『REACH FOR THE SKY』ナンバー。定番化した「Way Cool Jr.」を筆頭にたまに復活する曲もあるものの、ほとんどはレア曲。特に「Don’t Bite The Hand That Feeds」「Bottom Line」「What’s It Gonna Be」の３曲はこのツアーでしか演奏されておらず、そんな貴重曲を東京ドームというレアな現場で極太体験できるのです。 東京ドームとは思えないダイレクト・サウンドと、東京ドームでしかあり得ない大観衆のスペクタクル。その両面で全盛期のRATTを体験できる貴重なオリジナル録音です。本作１本でも素晴らしいドキュメント・アルバムですが、さらにKINGDOM COME篇『Shades 1279』と並べて聴けば、二度とはないレアな現場の時代感を一層ビビッドに味わえる。ぜひ、併せて楽しんでいただきたい美の姉妹作です。

★「1989年１月１日：東京ドーム公演」の傑作オーディエンス録音。大元カセットからダイレクトにデジタル化された銘品で、そのサウンドは、東京ドームとは思えないほどダイレクト＆パワフルで、極太な芯がグイグイッと目の前に迫る。80年代を総括する名曲群の他、このツアーだけのレアな『REACH FOR THE SKY』ナンバーもタップリ楽しめます。

(67:35) 01. City To City 02. Don’t Bite The Hand That Feeds 03. Slip Of The Lip 04. Wanted Man 05. I Want A Woman 06. Bottom Line 07. Lay It Down 08. You’re In Love 09. Drum & Bass Solo / Jam 10. Back For More 11. What’s It Gonna Be 12. Body Talk 13. Round And Round 14. Way Cool Jr. 15. Chain Reaction

Stephen Pearcy – vocals Robbin Crosby – guitar, vocals Warren DeMartini – guitar, vocals Juan Croucier – bass, vocals Bobby Blotzer – drums

Shades 1280

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Tour Archives (1989)

1/27/89: Jackson, WY: Snow King Resort 1/28/89: Salt Lake City, UT: Kingsbury Hall 1/30/89: Ketchum, ID: Creekside 1/31/89: Ketchum, ID: Creekside 2/2/89: Aspen, CO: Wheeler Opera House 2/4/89: Grand Junction, CO: Sheraton Grand Ballroom 2/7/89: Vail, CO: Marriott Hotel Ballroom 2/8/89: Fort Collins, CO: Ft. Ram 3/29/89: Los Angeles, CA: Vertigo (Post-Oscar party benefit  for El Rescate) 4/12/89: Kentish Town, London England: Town and Country Club 4/13/89: Manchester, England: International 4/16/89: Amsterdam, Holland: Paradiso 4/17/89: Hamburg, Germany: Logo Hamburg

1989 North American Tour Dates

With special guest richard thompson.

4/27/89: Dallas, TX: Tommy’s 4/28/89: Austin, TX: Austin Opera House 4/30/89: New Orleans, LA: New Orleans Jazz Festival / Main Stage 5/3/89: Nashville, TN: Center Stage 5/4/89: Memphis, TN: New Omni Daisy 5/5/89: St. Louis, MO: Westport Playhouse 5/6/89: Kansas City, MO: Starlight Amphitheater 5/8/89: Madison, WI: Madison Civic Center 5/10/89: Minneapolis, MN: Orpheum Theatre 5/11/89: Milwaukee, WI: Omnibus 5/12/89: Chicago, IL: Vic Theatre 5/13/89: Chicago, IL: Vic Theatre 5/15/89: Indianapolis, IN: Vogue Theatre 5/16/89: Cleveland, OH: Place Theatre 5/18/89: Grand Rapids, MI: Eastbrook Theater 5/19/89: Royal Oak, MI: Royal Oak Music Theater 5/20/89: Columbus, OH: Palace Theater 5/21/89: Cincinnati, OH: Bogart’s 5/31/89: Atlanta, GA: Center Stage 6/1/89: Atlanta, GA: Center Stage 6/3/89: Norfolk, VA: Town Point Park / Harbor Fest 6/4/89: Charlotte, NC: Ovens Auditorium 6/5/89: Greensboro, NC: War Memorial Auditorium 6/6/89: Baltimore, MD: Lyric Opera House 6/8/89: New York, NY: New Ritz 6/9/89: Hampton Beach, NH: Club Casino 6/10/89: Mansfield, MA: Great Woods Performing Arts Center 6/11/89: Northampton, MA: John M. Green Hall / Smith College 6/14/89: Vienna, VA: Wolf Trap 6/15/89: Vienna, VA: Wolf Trap 6/16/89: Richmond, VA: Mosque 6/17/89: Philadelphia, PA: Tower Theater 6/22/89: Santa Cruz, CA: Catalyst 6/23/89: Berkeley, CA: Berkeley Community Theater 6/25/89: Santa Barbara, CA: County Bowl 6/26/89: San Juan Capistrano: Coach House 6/27/89: San Juan Capistrano: Coach House 6/30/89: Los Angeles, CA: Wiltern Theater 7/1/89: San Diego, CA: California Theater 7/8/89: Winter Park, CO: American Music Festival 7/9/89: Santa Fe, NM: Music in the Pines

7/12/89: Park City UT: Park West Amphitheater (opened for Steve Miller Band) 7/14/89: Portland, OR: Civic Auditorium 7/15/89: Seattle, WA: Paramount Theater (Special Guest Danny O’Keefe) 7/16/89: Seattle WA: Paramount Theater (Special Guest Danny O’Keefe) 7/28/89: San Jose, CA: Grandstand Stage / Santa Clara Fair 7/29/89:  Santa Rosa, CA: Luther Burbank Center 7/30/89: Sacramento, CA: Village Marina

8/9/89: Portland, ME: Cumberland County Civic Center 8/10/89: Burlington, VT: Memorial Auditorium 8/12/89: Hyannis, MA: Cap Cod Melody Tent 8/13/89: Manchester, NH: Veterans Memorial Park 8/14/89: Portland, ME: Cumberland County Civic Center 8/15/89: Wallingford, CT: Oakdale Theater 8/17/89: Atlantic City, NJ: Bally’s Grand Pavilion 8/18/89: Wilkes Barre, PA: F.M. Kirby Center 8/19/89: Albany, NY: Palace Theater (Treat Her Right opened) 8/21/89: Misquamicut, RI: Windjammer Concert Club (Duke Robillard opened) 8/23/89: New York, NY: Beacon Theater 8/27/89: Buffalo, NY: Sinbad’s (Treat Her Right opened) 8/28/89: Toronto, Ontario: Canada’s Wonderland International Showplace 8/31/89: Wichita, KS: Cotillion 9/1/89: Tulsa, OK: Reynolds Amphitheater (The Tulsa All-Stars opened) 9/2/89: Kansas City, MO: Spirit Festival 9/3/89: Austin, TX: Zilker Park – Austin Freedom Festival 9/23/89: Phoenix, AZ: Celebrity Theater 9/25/89: Bakersfield, CA: Kern County Fair Grandstand 9/28/89: Maui, HI: Royal Lahaina Tennis Stadium

Co-headline with Lyle Lovett and His Large Band

10/28/89: Detroit, MI: Fox Theater 10/29/89: Toronto, Ontario, Canada: O’Keefe Center 10/31/89: Nashville, TN: Opera House 11/1/89: Memphis, TN: Orpheum Theater 11/3/89: St. Louis, MO: Fox Theater 11/4/89: Chicago, IL: Bismarck Theater 11/5/89: Minneapolis, MN: Northrup Auditorium 11/7/89: Atlanta, GA: Fox Theater 11/8/89: Columbia, SC: Township Theater 11/9/89: Raleigh, NC: Raleigh Civic Center

One-off Gigs and Benefits

11/10/1989: Washington, DC: Carmichael Auditorium, National Museum of American History (Rhythm & Blues Foundation’s First Annual Pioneer Awards) 11/12/89: Los Angeles, CA: Rancho Park “Mobilize for Women’s Lives” Pro-Choice Rally 11/15/89: Santa Monica, CA: Santa Monica Civic (Sanctuary Defense Fund with David Lindley, Ry Cooder, Bobcat Goldthwaite and Jane Fonda) 11/17/89: Dallas, TX: Majestic Theatre (National Sanctuary Defense Fund with Timbuk3) 11/18/89: Austin, TX: Civic Center (National Sanctuary Defense Fund with Timbuk3) 11/19/89: San Antonio, TX: Majestic Theatre (National Sanctuary Defense Fund with Timbuk3) 11/21/89: Albuquerque, NM: Kiva Auditorium (National Sanctuary Defense Fund with Timbuk3) 11/22/89: Tucson, AZ: Music Center (National Sanctuary Defense Fund with Timbuk3) 11/25/89: Park City, UT: Racquet Club (James Cotton opened) 11/26/89: Oakland, CA: Henry J. Kaiser Convention Center (Earthquake Relief benefit organized by Bill Graham) 12/21/89: New York, NY: Madison Square Garden (United Cerebral Palsy benefit with Little Feat and Neville Brothers) 12/30/89: Aspen, CO: Private Residence / Aspen Arts Council 12/31/89: Oakland, CA: Oakland Coliseum (Opened for The Grateful Dead; New Grass Revival also opened)

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• January 12, 1989 Setlist

Ratt Setlist at Nippon Budokan, Tokyo, Japan

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Tour: Reach For The Sky Tour Tour statistics Add setlist

• City to City Play Video
• Slip of the Lip Play Video
• Wanted Man Play Video
• I Want a Woman Play Video
• The Morning After Play Video
• Bottom Line Play Video
• Lay It Down Play Video
• You're in Love Play Video
• Drum Solo Play Video
• Guitar Solo Play Video
• Back for More Play Video
• What's It Gonna Be Play Video
• Body Talk Play Video
• Round and Round Play Video
• Way Cool Jr. Play Video
• You Think You're Tough Play Video
• Walking the Dog ( Rufus Thomas  cover) Play Video
• Chain Reaction Play Video

Edits and Comments

12 activities (last edit by Syl76 , 16 Dec 2019, 19:58 Etc/UTC )

Songs on Albums

• Bottom Line
• Chain Reaction
• City to City
• I Want a Woman
• Way Cool Jr.
• What's It Gonna Be
• Back for More
• Round and Round
• The Morning After
• Slip of the Lip
• Lay It Down
• You're in Love
• Guitar Solo
• You Think You're Tough
• Walking the Dog by Rufus Thomas

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Ratt Gig Timeline

• Jan 09 1989 Fukuoka Sunpalace Fukuoka, Japan Add time Add time
• Jan 11 1989 Yokohama Bunka Taiikukan Yokohama, Japan Add time Add time
• Jan 12 1989 Nippon Budokan This Setlist Tokyo, Japan Add time Add time
• Jan 26 1989 Kellogg Arena Battle Creek, MI, USA Add time Add time
• Jan 28 1989 The Palace of Auburn Hills Auburn Hills, MI, USA Add time Add time

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